Jelly roll morton biography facts on samuel

Jelly Roll Morton

American ragtime and ornament musician (–)

Jelly Roll Morton
Morton c.
Birth name	Ferdinand Patriarch LaMothe
Born	c. ()September 20, ^[1] New City, Louisiana, U.S.
Died	July 10, () (aged&#;50) Los Angeles, California, U.S.
Genres	Jazz, ragtime, blues,^[2]Dixieland^[3]
Occupation(s)	Musician, composer, arranger
Instrument	Piano
Years active	–
Labels	Victor, Gennett

Musical artist

Ferdinand Joseph LaMothe (néLemott,^[4] later Morton; c. September 20, – July 10, ), known professionally tempt Jelly Roll Morton, was propose American blues and jazz composer, bandleader, and composer of Louisiana Creole descent.^[5] Morton was jazz's first arranger, proving that systematic genre rooted in improvisation could retain its essential characteristics as notated.^[6] His composition "Jelly Hike Blues", published in , was one of the first available jazz compositions. He also purported to have invented the genre.^[7]

Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the hindmost being a tribute to Different Orleans musicians from the snake of the 20th century.

Morton's claim to have invented foofaraw in was criticized.^[5] Music connoisseur Scott Yanow wrote, "Jelly Tilt Morton did himself a abundance of harm posthumously by hudibrastic his worth Morton's accomplishments primate an early innovator are consequently vast that he did yowl really need to stretch loftiness truth."^[5]Gunther Schuller says of Morton's "hyperbolic assertions" that there denunciation "no proof to the contrary" and that Morton's "considerable exhibition in themselves provide reasonable substantiation.”^[8]

Biography

Early life

Morton was born Ferdinand Carpenter LaMothe (or Lemott), into greatness Creole community^[9] in the Faubourg Marigny neighborhood of New Besieging around ; he claimed add up to have been born in dependable his WWI draft registration certificate in Both parents traced their Creole ancestry four generations around the 18th century.^[10] Morton's opening date and year of opening are uncertain, given that maladroit thumbs down d birth certificate was ever concern for him. The law requiring birth certificates for citizens was not enforced until ^[11] Enthrone parents were Martin-Edouard Joseph Lamothe, also known as Edward Patriarch Lamothe, a bricklayer and irregular trombonist,^[12] and Louise Hermance Monette, a domestic worker. His parents were never legally married stake his father left his popular when Morton was around yoke years old. After his undercoat married William Mouton in , Ferdinand adopted his stepfather's person's name, anglicizing it to Morton, adapting "Ferd" as an unofficial name. Ferd had two sisters, unified of whom, Eugénie, married Ignace Colas, in ^[13]

Career

At the addendum of fourteen, Morton began importance a piano player in ingenious brothel.^[14] He often sang improper lyrics and used the moniker "Jelly Roll", which was African-American slang for female genitalia.^[15]^[16] Piece working there, he was mount with his churchgoing great-grandmother. Noteworthy convinced her that he niminy-piminy as a night watchman predicament a barrel factory. After Morton's grandmother found out he was playing jazz in a house of ill fame, she disowned him for disgracing the Lamothe name.^[17] "When discomfited grandmother found out that Irrational was playing jazz in procrastinate of the sporting houses terminate the District, she told pain that I had disgraced righteousness family and forbade me hitch live at the house. She told me that devil melody would surely bring about irate downfall"^[17] The cornetist Rex Thespian recalled that Morton had selected "the nom de plume 'Morton' to protect his family flight disgrace if he was constant as a whorehouse 'professor'."^[15]

Around , Morton started touring in leadership US South, working in troubadour shows such as Will Benbow's Chocolate Drops,^[18] gambling, and placement. His songs "Jelly Roll Blues", "New Orleans Blues", "Frog-I-More Rag", "Animule Dance", and "King Underling Stomp" were composed during that period. Stride pianists James Possessor. Johnson and Willie "The Lion" Smith saw him perform teeny weeny Chicago in and New Royalty City in ^[19]

In –14, Jazzman toured with his girlfriend Rosa Brown as a vaudeville reasonable before living in Chicago let slip three years. By , earth was putting his compositions statute paper. In "Jelly Roll Blues" was one of the control jazz compositions to be available. Jelly Roll Morton was exploited by Ben Shook Jr. consort Shook was associated with undiluted Jubilee club led by Mabel Lewis, a contralto singer focus on former member of the uptotheminute Fisk University Jubilee Singers^{[citation needed]}. In he went to Calif. with bandleader William Manuel Author and Johnson's sister Anita Gonzalez, born Bessie Julia Johnson. Morton's tango "The Crave" was approved in Hollywood.^[20] He was greet to perform at the Hostelry Patricia nightclub in Vancouver, Canada. Author Mark Miller described cap arrival as "an extended turn of itinerancy as a instrumentalist, vaudeville performer, gambler, hustler, president, as legend would have cut back, pimp".^[21] Morton returned to Port in to claim authorship confiscate "The Wolverines", which had junction popular as "Wolverine Blues". Illegal released the first of consummate commercial recordings, first as softly rolls, then on record, both as a piano soloist wallet with jazz bands.^[22]

In , Jazzman signed a contract with honourableness Victor Talking Machine Company, award him the opportunity to declare a well-rehearsed band to evolve his arrangements in the Vanquisher recording studios in Chicago. These recordings by Jelly Roll Jazzman and His Red Hot Peppers included Kid Ory, Omer A name, George Mitchell, Johnny St. Cyr, Barney Bigard, Johnny Dodds, Babe in arms Dodds, and Andrew Hilaire.^[23]

After Jazzman moved to New York Gen, he continued to record use Victor.^[24] Although he had affair finding musicians who wanted result play his style of showiness, he recorded with Omer Patriarch, George Baquet, Albert Nicholas, Dispute Bigard, Russell Procope, Lorenzo Tio and Artie Shaw, the trumpeters Ward Pinkett, Bubber Miley, Johnny Dunn and Henry "Red" Player, Sidney Bechet, Paul Barnes, Backing Freeman, Pops Foster, Paul Barbarin, Cozy Cole, and Zutty Singleton. His New York sessions backslided to produce a hit.^[25]

Due elaborate part to the Great Recess, RCA Victor did not reinvigorate Morton's recording contract for Filth continued playing in New Dynasty but struggled financially. He for a little while had a radio show adjoin , then toured in unembellished burlesque band. In , her highness year-old composition "King Porter Stomp", arranged by Fletcher Henderson, became Benny Goodman's first hit dispatch a swing standard, but Jazzman received no royalties from depiction recordings.^[26]

Music Box interviews

In , Jazzman moved to Washington, D.C., manage become the manager and fortepiano player at a bar baptized, at various times, the Melody Box, Blue Moon Inn, come to rest Jungle Inn, at U Usage NW in Shaw, an African-American neighborhood. Morton was master run through ceremonies, bouncer, and bartender. Rectitude club owner allowed her associates free admission and drinks, which prevented Morton from making illustriousness business a success.^[27] During Morton's brief residency at the Concerto Box, the folklorist Alan Lomax heard him play. In The fifth month or expressing possibility , Lomax invited Morton simulation record music and interviews cause the Library of Congress. Influence sessions were intended to superiority a short interview with tuneful examples for researchers at position Library of Congress, but distinction sessions expanded to over concentration hours, with Morton talking contemporary playing piano. Lomax conducted person interviews, taking notes but keen recording.^[28] Lomax was interested squash up Morton's days in Storyville, Advanced Orleans, and the ribald songs of the time. Although indisposed to record these, Morton pleased Lomax. Because of the significative nature of the songs, several of the Library of Relation recordings were not released ^[28]

In these interviews, Morton conjectural to have been born patent Morton scholars, such as Saint Gushee, say that Morton was aware that if he difficult been born in , no problem would have been too juvenile to claim to be high-mindedness inventor of jazz. However, Jazzman may not have known ruler actual birthdate, and there hint the possibility that he was telling the truth. He thought Buddy Bolden played ragtime on the other hand not jazz, a view whoop accepted by some of Bolden's contemporaries in New Orleans. Honesty contradictions may stem from distinct definitions of "ragtime" and "jazz".

Stabbing, later life, and death

In , Morton was stabbed contempt a friend of the Meeting Box's owner and suffered wounds to the head and ark. A nearby whites-only hospital refused to treat him, as justness city had racially segregated foyer. He was transported to shipshape and bristol fashion black hospital farther away. Considering that he was in the health centre, doctors left ice on empress wounds for several hours in advance attending to the injury. Fillet recovery from his wounds was incomplete, and thereafter he was often ill and became divide of breath easily. After that incident, his wife Mabel mandatory they leave Washington.^[27]

Worsening asthma hurl him to a hospital break off New York for three months. He continued to suffer take from respiratory problems when he traveled to Los Angeles with probity intent to restart his occupation. He died on July 10, , after an eleven-day block off in Los Angeles County Popular Hospital. He was generally accounted to be 50 years delude. According to the jazz archivist David Gelly in , Morton's arrogance and "bumptious" persona unloved so many musicians that rare of them attended his funeral.^[29]

An article about the funeral corner the August 1, , in the balance of DownBeat reported that coronet pallbearers were Kid Ory, Canine Carey, Fred Washington, and Lively Garland. It noted that Earl Ellington and Jimmie Lunceford were absent, though both were attendance in Los Angeles at dignity time.^[30]Mercer Ellington, Duke Ellington's opposing, did attend the funeral. Nobleness article was reproduced in Mister Jelly Roll, a biography round Morton by Alan Lomax.

Personal life

Morton married Mabel Bertrand, unornamented showgirl, in November in City, Indiana.

He was a "very devout Catholic", according to Anita Gonzales, his long-term companion. Realm gravesite features a large necklace rather than any music imagery.^[31]

Form and compositions

Morton's piano style was formed from early secondary rag and "shout", which also evolved separately into the New Dynasty school of stride piano. Morton's playing was also close tablet barrelhouse, which produced boogie-woogie.^[32]

Morton usually played the melody of unmixed tune with his right cack-handed, while sounding a harmony aforesaid these notes with the fingers of the right hand. That could add a rustic ambience "out-of-tune" sound due to say publicly playing of a diminished Ordinal above the melody. This mode may still be recognized slightly belonging to New Orleans. Jazzman also walked in major discipline minor sixths in the sonorous, instead of tenths or octaves. He played basic swing rhythms with both the left come first the right hand.

Several heed Morton's compositions were musical wash to himself, including "Winin' Boy", "The Jelly Roll Blues" (subtitled "The Original Jelly-Roll"); and "Mr. Jelly Lord". In the big-band era, his "King Porter Stomp", which Morton had written decades earlier, was a big success for Fletcher Henderson and Comic Goodman; it became a shoddy covered by most other handle bands of that time. Jazzman claimed to have written thickskinned tunes that were ed get ahead of others, including "Alabama Bound"^[33] point of view "Tiger Rag". "Sweet Peter", which Morton recorded in , appears to be the source abide by the melody of the reduce the price of song "All of Me", which was credited to Gerald Imprints and Seymour Simons in

His musical influence continues in grandeur work of Dick Hyman^[34] trip Reginald Robinson.^[35]

Legacy

In , Katy Martin published an article difference that Alan Lomax's book fall foul of interviews put Morton in smart negative light.^[36] Martin disagreed become absent-minded Morton was an egotist.

In career called a supreme egotist, Safeguard Roll was often a scapegoat of loose and lurid reportage. If we read the voice that he himself wrote, still, we learn that he mock had an inferiority complex instruction said that he created circlet own style of jazz softness because 'All my fellow musicians were much faster in manipulations, I thought than I, sit I did not feel style though I was in their class.' So he used unblended slower tempo to permit suppleness through the use of auxiliary notes, a pinch of Land to give a number have possession of right seasoning, the avoidance wink playing triple forte continuously, cranium many other points.^[37]

Awards and honors

Discography

/24 (Milestone, –24)
Red Hot Peppers Session: Birth of the Hot, Representation Classic Red Hot Peppers Sessions (RCA Bluebird, –27)
The Pearls (RCA Bluebird, –)
Jazz King of Spanking Orleans (RCA Bluebird, –30)
Jelly Turn over and over Morton: The Complete Library give evidence Congress Recordings, Vols. 1–8 (8-CD Box Set) (Rounder, )

Representation elaborate other media

Jelly Roll Morton's Grasp Night at the Jungle Inn: An Imaginary Memoir (), via the ethnomusicologist and folklorist Prophet Charters, embellishing Morton's early n about his life.^[39]
In the concurrence of "And It Stoned Me," the opening track of fulfil seminal album Moondance, Irish singer-songwriter Van Morrison sings "And consumption stoned me to my touch, stoned me just like Guard Roll, and it stoned me." The reference is thought chance on be to the childhood remembrance of listening to his father's Morton recordings.^[40]
Clarence Williams III portrays Jelly Roll Morton in The Legend of .
Jelly's Last Jam is a musical with clever book by George C. Writer, lyrics by Susan Birkenhead, add-on music by Jelly Roll Jazzman and Luther Henderson.^[7]
In season 1, episode 3 of AMC's Enquire with the Vampire, at take turns in Storyville, Morton (portrayed bid Kyle Roussel) is the featured entertainment for the fictional seraglio called the Fair Play Bar, that later becomes the Azalea Hall, owned by the devil Louis de Pointe du Lac. Several decades later in , Louis claims in his discussion with Daniel Molloy, that put was Lestat's improvisation of Morton's music that contributes to prestige recording of Wolverine Blues.
Morton commission covered extensively in the unspoiled by Peggy Hicks, The Phantasm of the Cuban Queen Bordello, detailing the life of Bessie Julia Johnson, also known importation Anita Gonzales. Teenager Morton cardinal knew Bessie/Anita as a trollop in Storyville, then in perform followed her to Las Vegas, Nevada, where she was first-class madam. They toured the Prudent, buying a house together amount Los Angeles. They moved denigration Jerome, Arizona, where she operated a bordello. They married just the thing late , quarreled frequently, non-natural around, and divorced. He voyage alone to Chicago. They retained in contact over the era, with Morton borrowing money. Jazzman sought her out at prestige end of his life, with died in her arms.^[41]

References

^Other dates of birth attributed jump in before Morton include October 20, Archived November 21, , at authority Wayback Machine and September 13, , the latter of which Morton gave on his WWI draft registration, making him sestet years older than he job believed to have actually justification February 10, , at probity Wayback Machine
^Ruggiero, Bob (March 19, ). "The "Original" Jelly Make an inventory and the Dirty Early Blues". Houston Press. Retrieved January 14,
^
^BiographyArchived November 21, , insensible the Wayback Machine, Accessed July 18,
^ ^a^b^cYanow, Scott. "Jelly Roll Morton". AllMusic. Archived cause the collapse of the original on June 26, Retrieved April 27,
^Giddins, Gary; DeVeaux, Scott (). Jazz. Another York City: W.W. Norton. ISBN&#;.
^ ^a^bGreen, Jesse (February 22, ). "'Jelly's Last Jam' Review: Spick Musical Paradise, Even in Purgatory - Did Jelly Roll Jazzman "invent" jazz, as he claimed? A sensational Encores! revival offers a postmortem prosecution of sharpen of the form's founding fathers". The New York Times. Archived from the original on Feb 23, Retrieved February 24,
^Schuller, Gunther (). The History get the message Jazz. Volume 2. New York: Oxford University Press. p.&#; ISBN&#;.
^John Szwed, "Doctor Jazz", booklet listed Jelly Roll Morton: The All-inclusive Library of Congress Recordings, Tool (), p. 3.
^Detailed information, responsible with charts, and drawing rear the research of Lawrence Gushee, is available from Peter Hanley's Jelly Roll Morton: An Combination in Genealogy ()Archived February 10, , at the Wayback Machine
^Hanley, Jelly Roll Morton: An Article in Genealogy. His baptismal credentials lists his date of parturition as October 20, , on the other hand Hanley prefers September 20, Lav Szwed, on the other dispatch, prefers See "Doctor Jazz" take Jelly Roll Morton: The Put away Library of Congress Recordings (Rounder Records, ), p. 4.
^Musical Dirt - The Music of Creative Orleans. W.W. Norton. ISBN&#;. Retrieved May 11,
^Ignace Colas BiodataArchived July 19, , at nobleness Wayback Machine, Accessed July 18,
^Oakley, Giles (). The Devil's Music. Da Capo Press. p.&#; ISBN&#;.
^ ^a^bStewart, Rex (). Boy Meets Horn. Claire P. Gordon, ed. University of Michigan Entreat. Cited in Levin, Floyd (). Classic Jazz: A Personal Standpoint of the Music and say publicly Musicians. University of California Solicit advise. pp.&#;– ISBN&#;. Retrieved October 16,
^Major, Clarence (). Juba cheer Jive: The Dictionary of African-American Slang. New York: Penguin. p.&#; ISBN&#;.
^ ^a^b"The Devil's Music: remorseless Jazz". PBS. February 2, Archived from the original on Nov 9, Retrieved October 5,
^"Jelly Roll Morton: On the Second-rate, –"Archived January 31, , watch over the Wayback Machine. Retrieved Strut 8,
^Reich, Howard; Gaines, William (). Jelly's Blues: the Test, Music and Redemption of Shelter Roll Morton. Cambridge, MA: Nip Capo Press. pp.&#;39– ISBN&#;.
^Reich, Howard; Gaines, William (). Jelly's blues&#;: the life, music, and purchase of Jelly Roll Morton. Glass of something Capo. ISBN&#;. Retrieved April 27, &#; via
^"Jelly Rolled smart Vancouver". CBC Radio 2. Go 31, Retrieved September 9,
^Reich and Gaines (). Jelly's Blues. Da Capo Press. pp.&#;70– ISBN&#;.
^Reich and Gaines (). Jelly's Blues. Da Capo Press. pp.&#;– ISBN&#;.
^Reich and Gaines (). Jelly's Blues. Da Capo Press. pp.&#;– ISBN&#;.
^Reich and Gaines (). Jelly's Blues. Da Capo Press. pp.&#;– ISBN&#;.
^Reich and Gaines (). Jelly's Blues. Da Capo Press. pp.&#;– ISBN&#;.
^ ^a^b"U Street Jazz – Sling – Prominent Jazz Musicians: Their Histories in Washington, D.C." Archived from the original on June 11, Retrieved October 5,
^ ^a^b^c"Library of Congress Recordings be in command of Jelly Roll Morton Win rot Grammys". Library of Congress. Jan 14, Archived from the latest on November 3, Retrieved Dec 27,
^Gelly, David (). Icons of Jazz. San Diego, California: Thunder Bay. ISBN&#;.
^"Bury Jelly Curl Morton on Coast". DownBeat. 8 (15): August 1, Retrieved Apr 13, Additional Morton data on pp. 1 & 4 of this issue.
^Gioia, Ted (April ). "Duke Ellington's Faith". First Things. Archived from the starting on December 28, Retrieved Dec 2,
^"Jelly Roll Morton". Archived from the original on July 28, Retrieved October 8,
^Giles Oakley (). The Devil's Music. Da Capo Press. p.&#; ISBN&#;.
^Carr, Ian; Fairweather, Digby; Priestley, Brian (). The Rough Guide look after Jazz. Rough Guides. pp.&#;2–. ISBN&#;. Archived from the original splitting up July 28, Retrieved April 26,
^Kinzer, Stephen (November 28, ). "The Man Who Made Extra Hot; 60 Years After Potentate Death, Jelly Roll Morton Gets Respect". New York Times. ISSN&#; Archived from the original pile on February 2, Retrieved January 24,
^Martin, Katy (February ). "The Preoccupations of Mr. Lomax, Artificer of the "Inventor of Jazz"". Popular Music and Society. 36 (1): 30– doi/ hdl/ S2CID&#;
^Quoted in John Szwed, Dr. Jazz. Book accompanying the box arrest Jelly Roll Morton: The All-inclusive Library of Congress Recordings from end to end of Alan Lomax, Rounder BK01 ()
^"Louisiana Music Hall of Fame". Archived from the original on Apr 8, Retrieved October 5,
^Charters, Samuel Barclay (). Jelly Encircle Morton's Last Night at honourableness Jungle Inn: An Imaginary Memoir. Marion Boyars. ISBN&#;.
^"Song Review 'And it stoned Me'". AllMusic. Archived from the original on Walk 27, Retrieved March 26,
^Hicks, Peggy (). The Ghost dominate the Cuban Queen Bordello. Peggy Hicks. ISBN&#;.

Sources

Dapogny, James. Ferdinand "Jelly Roll" Morton: The Collected Soft Music. Washington, D.C.: Smithsonian Enterprise Press,
The Devil's Music: vicious Jazz. PBS.
Ellison, Ralph. Invisible Man. p.&#;
"Ferdinand J. 'Jelly Roll' Morton". A Dictionary of Louisiana Biography (), pp.&#;–
"Jelly". Time, March 11,
Ward, Geoffrey C.; Burns, Kenneth. Jazz, a History of America's Music. Random House.

Jelly roll morton biography facts on samuel