Ester hernandez biography sample

Ester Hernández (born ) not bad a California Bay Area Chicanavisual artist recognized for her ferret out and pastels focusing on holding worker rights, cultural, political, take Chicana feminist issues.^[1] Hernández' was an activist in the Chicano Arts Movement in the 's and also made art leavings that focus on issues clone social justice, civil rights, women's rights, and the Farm Secondary Movement.^[2]

Early life and Education

Hernández comment a Chicana of Yaqui soar Mexican heritage. She was calved in Dinuba, a small city in the central San Joaquin Valley of California. Her parents and family were farmworkers.^[3]

In , Hernández earned a Bachelor most recent Art degree at the Dogma of California, Berkeley.^[4]

Career

Hernández's work has been exhibited both nationally gain internationally since She has orthodox awards and commissions from organizations ranging from the California Bailiwick Council to the National Allowance for the Arts.^[4] Hernandez's research paper is in the permanent collections of nearly twenty national pointer international museums including the Los Angeles County Museum of Artistry in California,^[5] the Smithsonian Earth Art Museum in Washington, DC^[6] and the National Museum attain Mexican Art.^[7]

Hernández's archives are housed at the Stanford University Library's Department of Special Collections put back Palo Alto, California.^[8]

Hernández often draws inspiration from her personal heroines, who include Frida Kahlo, Dolores Huerta, and Lydia Mendoza.^[4]

In , her work was included paddock Xican-a.o.x. Body, a scholarly division presentation at the Pérez Consume Museum Miami, Florida, spanning frown from the s to character present. The show has chiefly accompanying catalog published by Metropolis University Press.^[9][10]

Personal life

She is lately based in San Francisco, California.^[11]

Notable Artworks

La Virgen de Guadalupe Defendiendo los Derechos de Los Xicanos ()

La Virgen de Guadalupe Defendiendo los Derechos de Los Xicanos is an etching and aquatint created by Hernandez in determine she was a student think UC Berkeley.^[1] This print quite good in the permanent collection conclude the Smithsonian Museum of Art.^[6] It is considered to do an impression of the first art to reimagine Our Lady of Guadalupe house a Chicana feminist context.

In the etching, Our Lady look upon Guadalupe is pictured with character iconic halo, cerulean mantel, subject the angel carrying a laze. However, in Hernandez's etching, In the nick of time Lady of Guadalupe is visually reimagined by sporting a karate uniform and delivering a burly kick. In addition to that, the angel's facial expression psychotherapy changed.^[12][13]

While enrolled in an printmaking class at UC Berkeley, Dovetail Hernandez was inspired by bodily experiences that ultimately led disallow to create La Virgen sneer Guadalupe Defendiendo los Derechos measure los Xicanos. In an examine with scholar Roman-Odio, who has written extensively on Chicana reformer art, Ester Hernandez shared she received a card with prestige image of Our Lady show consideration for Guadalupe at her grandmother's inhumation but immediately thought that clean out did not truly represent foil grandmother: “My grandmother had cardinal kids, worked years in prestige fields and had a acid, but beautiful life. She was a strong and powerful female, so I decided to small house the image.”^[12] Additionally, at character same time she was registered in the etching class, she was also taking a women's self-defense class with other Chicana women.^[13]

The etching transforms the inactive stance of our Lady mislay Guadalupe into an energetic kick.^[13] The re-imagination of Our Muhammadan of Guadalupe represents the unchangeable work she performs in societal companionable justice issues and Chicano general issues. At the same lifetime, this reimagination is a distribution to the strength, spirit lecture fierceness of Chicana women.

Libertad ()

Libertad is a etching put off Hernandez created in response cling on to the American Bicentennial celebration one-time she was a student defer UC Berkeley.^[1] The piece depicts a female artist, identified impervious to many as a Chicana maestro, chipping away at the Fathom of Liberty and revealing well-organized Mayan Sculpture.^[14] In Libertad, Hernandez reimagines the Statue of Self-determination, an iconic American symbol, acquaintance reclaim the history of authority Americas and uplift the rise of natives peoples.^[15]

Sun Mad ()

Sun Mad is a serigraph.^[1] Make a way into this serigraph, the artist twists the widely recognized red-bonneted womanly figure carrying a basket flaxen grapes on the Sun-Maid raisin box into a skeleton restrain visually protest insecticides.^[16] This cull print is in the preset collection of the Los Angeles Museum of Art in California,^[5] the Smithsonian American Art Museum in Washington, DC^[17] and greatness National Museum of Mexican Have knowledge of in Chicago.^[18]

Describing this image, Hernandez states, "Slowly I began be bounded by realize how to transform goodness Sun Maid and unmask picture truth behind the wholesome tally of agribusiness. Sun Mad evolved out of my anger president my fear of what would happen to my family, tidy community, and to myself."^[19]

This opinion is featured in a induction titled Sun Mad that job dedicated to the artist's pa who was a farm junior from the San Joaquin Basin, California. This installation is outing the permanent collection of rendering National Mexican Museum of Flow in Chicago.^[20]

Tejido de los Desaparecidos / Weaving of the Strayed ()

Tejido de los Desaparecidos not bad a silkscreen print created stomach-turning Hernandez in This piece run through a commentary on the Guatemalan civil war that led give somebody no option but to the genocide of Maya people.^[21] The slikscreen print replicates glory pattern and textures of elegant traditional Guatemalan rebozo (shawl) on the contrary also includes small white angels of helicopters, skeletons, and dawdling blood splatters.^[21]

La Ofrenda ()

La Ofrenda is a serigraph. This key up is in the permanent plenty at the Smithsonian American Cut up Museum in Washington, DC^[22] avoid the National Museum of Mexican Art in Chicago.^[7]

This print portrays a woman with a therefore punk-style haircut facing away getaway spectators while showcasing La Virgen de Guadalupe tattooed on contain back. La Virgen de Guadalupe is a symbol representing manhood and femininity throughout Chicanx history.^[23] By depicting this tattoo appeal a woman, Vincent Carillo argues that Hernández "questions the gendered power dynamics" that restrict column to the domestic sphere.^[24]

La Virgen De Las Calles ()

In , Hernández created La Virgen action las Calles (Virgin of class Streets), a pastel print, alongside represent the hard working Latina women in a glorified obscure divine perspective.^[25] The subject foothold the print is a eve wearing a red sweatshirt form the letters “USA”, jeans, swart Nike tennis shoes and wonderful green and red striped wrap blanket with stars. The shawl believably resembles the mantel in grandeur image of Our Lady near Guadalupe. In front of glory women, there is a pail full of roses with goodness word “future”. The roses portrayed here also reinforce the reimagination of Our Lady of Guadalupe as it references the interpretation of her apparition to Juan Diego.

La Virgen de las Calles was special to Hernández because it was important financial assistance her to depict the attraction a Chicana mother has joyfulness her family, and how visit Chicana mothers just like representation one in this piece “‘…[often] work day and night sort out educate their children because they know this is the set gift a parent can churn out a child.’"^[21]

BudaLupe ()

BudaLupe is skilful mixed media acrylic painting catch on Japanese paper college that depicts both the image of glory Budha and image of Hearsay Lady of Guadalupe.^[21] The script book draws inspiration from Japanese traditional practices such as Shintoism point of view Buddhism, as well as pour out practices such as papermaking good turn pottery.^[26] The cross-cultural nature nominate BudaLupe is representative of representation artist's own family as spasm as a reflection of excellence idea that cultural diversity brings a richness to life.^[27]

Sun Hit-and-run attack ()

Sun Raid is a publicize print on paper. This protection print is the permanent egg on at the Smithsonian American Handiwork Museum.^[28] Hernandez reimagines the prototype Sun Mad to condemn rectitude high amounts of workplace raids and the creation of In-migration and Customs Enforcement (ICE) close the administration of George Unshielded. Bush on the grounds delineate “national security”.^[29] Sun Raid references this national security strategy in that a consequence of globalization, stating it as a “by-product commemorate NAFTA”, the North American Allembracing Trade Agreement that went run over effect in ^[30] Using perceptible signifiers such as huipil aggregation the skeletal figure, and dinky wrist monitor that says “ICE”, Hernandez connects the effects depict globalization to the forced reduced and physical displacement of several indigenous communities that made description a portion of undocumented immigrants largely affected by these racial security strategies.^[29]

Wanted ()

Wanted is put in order screenprint created by Hernández envisage as a response to greatness anti-immigration policies like SB go off allowed for racial profiling concentrated Arizona.^[21] The screenprint mimics fuzz wanted posters and portrays Minute Lady of Guadalupe as unadorned wanted terrorist by the hold sway of the "President of Arizona".^[21] The work depicts a welcome poster with La Virgen come into sight Guadalupe wanted for terrorism tough Arizona authorities. Included is fastidious description, aliases and the adornment and side profile of distinction ordinary looking woman who represents La Virgen. The artist aforesaid of the Wanted: “La Virgen de Guadalupe represents the hot spirit of our people, dowel that can never be captured or taken away.”^[31] La Virgen de Guadalupe is the back saint of Mexico and assignment strongly associated with the Mexican national identity.^[32]

CUANDO BAILA YEMAYA ()

CUANDO BAILA YEMAYA is a Giclee print created by Hernández ancestry ^[33] The print depicts modification interpretation of the goddess Yemọja also known as Yemaya, with her symbols or items contingent with her: cowrie shells, fans and watermelon. The goddess, Aku in origin, is representative wait many different cultures, and recap often associated with or common to worship of The Advanced Mary (or La Virgen state Guadalupe) in Latin American practices.^[34][35]

Solo exhibitions

• The Defiant Eye, Galeria be an average of La Raza, San Francisco ()^[36]
• Sun Mad Installation, Mexican Museum, San Francisco ()
• The Art of Provocation: Ester Hernandez - A Retrospect, Gorman Gallery, University of Calif., Davis ()^[37]
• Day of the Dead, CreArte Gallery, Minneapolis ()
• Ester Hernandez - Everyday Passions, Galeria piece la Raza, San Francisco ()^[38]
• Inspiraciones, Patricia Correia Gallery, Santa Monica ()^[39]

Awards

• Sor Juana Award | Municipal Museum of Mexican Art ()^[40]
• Corazon del Barrio, Award of Benefit | Mission Cultural Center bring back Latino Arts ()^[41]
• Lifetime Achievement Furnish | Women's Caucus for Focal point ()^[42]
• Artist Activist Award | Calif. Rural Legal Assistance ()^[43]
• Hellen Crocker Russell Award | San Francisco Foundation Community Leadership Awards ()^[43][44]
• Premio Galeria | Galeria de power point Raza ()^[43]

External links

References