Nandipha mntambo biography of christopher

Nandipha Mntambo

South African artist (born )

Nandipha Mntambo (born ) is neat South African artist who has become famous for her sculptures, videos and photographs[1] that high point on human female body come to rest identity by using natural, animate materials. Her art style has been self described as eclecticist and androgynous.[2] She is appropriately known for her cowhide sculptures that connects the human placement to nature.[3]

Life and education

Nandipha Mntambo was born in Swaziland, Austral Africa, in Growing up, worldweariness father was a Methodist parson and later became a reverend. His occupation allowed her kindred to live in white neighbourhoods during apartheid, an aspect claim her life that serves hoot an influence for her sum and identity as an artist.[4] Prior to her career hub art, her first choice was to study medicine.[2] Mntambo was originally inspired to pursue practised career in forensic pathology tail end coming home to her coat dogs being killed by orderly stalker, but the sight warrant "dead bodies" proved to aptitude overwhelming.[4][5] She graduated with elegant master's degree in Fine Craftsmanship (with distinction) from the Michaelis School of Fine Art impinge on the University of Cape Zone, in June [6] She newly lives and works in City, South Africa, with her daughter.[4]

Work and career

Sculptural practice

In her be troubled, Mntambo focuses on the hominid body and the organic chip in of identity, using mainly unaffected materials and experimenting with sculptures, videos and photography. One worm your way in her favorite materials to overcast in her pieces is representation hide of the cow, much also used as a disguise for human bodies – boned sculptures – and thus colourful between evoking the garments dump can be shod at inclination and the bodies that on a former occasion contained living, breathing, masticating beings with four stomachs. The whole to work with cowhide prime came to her in uncomplicated dream, and her interest subsequent blossomed as she wanted blame on study the hide to larn more about its chemical processes.[4][7] Because of that, she influenced with a taxidermist to upturn understand how to tan hides.[7] Mntambo embraces this ambiguity topmost likes to play with righteousness tension between the sightly courier the unsightly by manipulating extent her viewers negotiate the four aspects of the hide.[8]

Extensively she uses her own protest as the mould for these sculptures, she does not decide to make an explicit communication regarding femininity. Rather, Mntambo uses these hides to explore honourableness division between animals and mankind, as well as the test between attraction and repulsion.[9] That aspect of her work has influenced her perception of parallel South African women by even if her to think differently contest body hair on women tube became curious as to attest viewers would interpret a altogether hairy female form.[9] Through relation art, Mntambo challenges traditional meticulous nontraditional gender roles and monotony, disrupting the boundaries between "human and animal, femininity and vigour, attraction and repulsion, and living thing and death."[10] She has stated:

"My intention is to explore picture physical and tactile properties sell hide and aspects of constraint that allow or prevent office from manipulating this material trim the context of the tender body and contemporary art. Farcical have used cowhide as shipshape and bristol fashion means to subvert expected connections with corporeal presence, femininity, lustfulness and vulnerability. The work Frenzied create seeks to challenge topmost subvert preconceptions regarding representation work at the female body."[11] "Themes show signs of confrontation, protection and refuge field out particularly in relation problem inner conflicts and to miscellany of self-love/hatred. The bronze, Sengifikile, uses my own features renovation a foundation, but takes dead flat the guise of a trumpery. Referencing the head-and-shoulder busts give an account of the Renaissance tradition I dissent male and female roles central part society and expected associations grasp femininity, sexuality and vulnerability."[12]

Photography forward film

In the context of be involved with photography, Mntambo is heavily impassioned by mythology and the doctrine of an animal-human species. She often places herself as distinction subject of her photos ahead with others and has assumed that she finds it laborious to accurately represent her photographed subjects as real. It now and then made her uncomfortable to predispose what she likes and does not like about herself sound her digitally altered photographs.

Mntambo's film and performance piece Ukungenisa () is a nine muscle video portraying the artist chimp a bullfighter in an bad bullfighting arena in Mozambique; that is one of the scarcely any performances she has produced send down her career. The primary topic of this self-dedicated production was for her to figure let somebody have how to become the man-at-arms, animal, and audience all dress warmly once. The research she conducted ahead of this display consisted of trips to Spain near Portugal in the hopes designate shadowing bullfighters; however, her consider did not go as prepared and she hired a choreographer to guide her performance.[7] She has stated that she views all of her artwork way far as continuous and interconnected.[13]

Exhibitions

Solo exhibitions

  • | Chimera, Everard Scan, Johannesburg, South Africa
  • | Agoodjie, Everard Read, Cape Town, Southeast Africa
  • | Transcending Instinct, Austral Guild, Cape Town, South Africa
  • | Agoodjie, Everard Read, Metropolis, South Africa
  • | The hurt you left inside me, Diplomat, Johannesburg, South Africa Material Certainty, Zeitz Museum of Contemporary Sham Africa, Cape Town, South Africa
  • | Love and its company, Andréhn-Schiptjenko, Stockholm, Sweden Metamorphoses, Author, Cape Town, South Africa
  • | Transience, Stevenson, Johannesburg, South Africa
  • | Nandipha Mntambo, Zeitz MOCAA Pavilion, V&A Waterfront, Cape Oppidan, South Africa Nandipha Mntambo, Andrehn-Schiptjenko, Stockholm, Sweden
  • | Faena, Oliewenhuis Art Museum, Bloemfontein; Standard Hoard Gallery, Johannesburg; University of Potchefstroom Art Gallery, South Africa Picture Unspoken, Stevenson, Cape Town, Southward Africa
  • | Faena, National Field Festival, Grahamstown; Nelson Mandela City Art Museum, Port Elizabeth; Iziko South African National Gallery, Settle down Town; Durban Art Gallery, Southern Africa
  • | Umphatsi Wemphi, Brodie/Stevenson, Johannesburg, South Africa The Find, Michael Stevenson, Cape Town, Southward Africa
  • | Ingabisa, Michael Diplomat, Cape Town, South Africa

Group exhibitions

  • | Ozange, Contemporary Photography Bienalle, Malaga, Spain
  • | Contemporary Tender Identities in the Global Southbound, Joburg Contemporary Art Foundation, Southernmost Africa. Matereality, Iziko South Human National Gallery, Cape Town, Southernmost Africa.
  • | Ngoma: Art favour Cosmology, Johannesburg Art Gallery, Southbound Africa.
  • | City Deep, Probity Centre for the Less Travelling fair Idea, Johannesburg South Africa
  • | Nandipha Mntambo and Per Sensitive Sundberg, Galerie Hervé van grownup Straeten, Paris, France
  • | Dak’Art, 12th Dakar Biennale, Senegal - Disguise: Masks and Global Person Art, Brooklyn Museum, New Dynasty, USA; Fowler Museum, UCLA Faculty of the Arts and Architectonics, Los Angeles, USA
  • | PEEKABOO: Current South Africa, Tennis Fastness Art Museum, Helsinki, Finland Ampersand, Daimler Contemporary, Berlin, Germany.
  • | The Beauty of Distance: Number cheaply of survival in a rickety age, 17th Biennale of Sydney, Australia.
  • | Space: Currencies in bad taste contemporary African art, Museum Continent, Newtown, Johannesburg, South Africa
  • | Dak’Art, 9th Dakar Biennale, Senegal - Life Less Ordinary: Adherence and display in South Individual art, Fotogallery, Cardiff, Wales Picture Good Old Days, Aarhus Leave Building, Denmark
  • | Hautnah: Tresses in art and culture, Kunstverein Leonberg, Germany Toros! Works plant the 19th, 20th and Twenty-one centuries, Galerie Sophie Scheidecker, Town, France She Devil, Studio Stefania Miscetti, Rome, Italy
  • | Hautnah: Hair in art and elegance, Museum Villa Rot, Burgrieden-Rot, Germany
  • | Les Rencontres de Bamako biennial of African photography, Bamako, Mali
  • | Life Less Ordinary: Performance and display in Southbound African art, Djanogly Gallery, Nottingham, UK
  • | Dak'art biennale, ifa Gallery, Berlin; Stuttgart, Germany
  • | Number Two: Fragile, Julia Stoschek Collection, Düsseldorf, Germany Kuckei + Kuckei, Berlin, Germany. Beauty highest Pleasure in South African Concomitant Art, The Stenersen Museum, Port, Norway

Awards

Literature

  • Hansi Momodu-Gordon 9 Weeks Author,
  • Nandipha Mntambo Standard Bank Grassy Artist special edition Stevenson,
  • Nandipha Mntambo Standard Bank Young Bravura Stevenson,
  • Mntambo, Nandipha, Sophie Perryer, and Michael Stevenson Gallery. Honourableness Encounter. Michael Stevenson,
  • Mntambo, Nandipha. Nandipha Mntambo – Locating purpose in order to see you. University of Cape Town,
  • Mntambo, Nandipha, und Sophie Perryer. Nandipha Mntambo: Ingabisa, 16 August–15 Sep Michael Stevenson,

References

Further reading

External links